文化诗学视域下的《山海经》——图腾文化与《山海经》中神祇形象的构造

Shan Hai Ching in the Perspective of Cultural Poetics——The totem culture and structure in the image of gods ShanHaiChing

《山海经》是一部最接近原始社会文明状态的古籍,书中描绘的很多神祇形象与图腾文化密切相关。图腾演变的各个阶段均在《山海经》中得以反映,且多数神祇的形象皆是由图腾构造,并经过原始想象的艺术加工,其构造方式与复合图腾的组成方式具有同一性。将图腾文化与《山海经》中的神祇形象放在同一个维度进行研究,切合"文化诗学"的旨趣,"把对文学文本的阐释与文化意义的揭示联系起来,把文学的‘内部研究’和‘外部研究’贯通起来"。

ShanHaiChing is an ancient book which is closest to the state of primitive society civilization. It depicts many gods＇ image that the totem culture are closely related to.ShanHaiChing reflects each evolution stage of totem culture,and most of the gods＇ image are constructed by totem .Through the artistic process of the original imagination, its structure and the composition of the composite totem are of the identity.The totem culture and the the image of gods in ShanHaiChing are placed in the same dimension to meet the Cultural Poetics purport.＂The interpretation of the literary texts combines with the reveal of cultural significance, the literature of ＇internal research＇ and ＇external research＇ are linked up＂.