自我与周作人俞平伯的新文学建设

Ego and Construction of Zhou Zuoren and Yu Pingbo's New Literature

周作人和俞平伯都看重文学的自我意识。俞平伯的"小我"考虑更多,更符合周作人"人"、"自己"和"个性"的现代思路和设想。周作人和俞平伯警惕盲信。他们以自我为原点,以个性为灵魂。以周作人为代表的现代个性心灵散文是内而外的,不以文辞胜,却将意思和风度连缀其间。以思想和道德为首要,文字乃是随着思想走的。周作人就"难懂"的解释耐人寻味。一是取得文学史的合法性。理论上首先是蔼理斯对"晦涩"的论述。其次是文学思想的结果。俞平伯以自我为本,提出依次为"自爱"、"平和"、"前进"和"闲适"的"吾庐"四点。周作人"伦理之自然化,道义之事功化"的战时言论因自我而难被理解。

Yu Pingbo is the best one of Zhou Zuoren＇s four famous students. Zhou pays more attention to protect personality. Yu lays emphasis on the words to pursue the truest psychological and meaningful aspects. Zhou explains the obscure on two ways. One is from the literature history. The other is theoretical,which can be divided into two items. The first is about the obscure from Ellis. The second is the outcome of literature ideas.