摘要
在以往的研究中,审美之维的童心说一般被看成是与老庄童心观一脉相承的。然而从文化之维来看童心说,则可发现它在老庄童心观的流变接受史上占有一个转折点的位置,即从这里开始,作为童心说标志的"真"的含义被延伸。尽管已有学人对童心说作过文化阐释研究,但常只就李贽思想而言童心说,很少将之置于老庄童心观的流变接受史上来观察,因而未能尽显文化阐释这一研究视角之于童心说研究的意义。
Aesthetic interpretation of Li Zhi's Theory of Childlike Heart is often considered as the inheritance of Taoism's Childlike Heart Theory. However,cultural interpretation of Li Zhi's Theory of Childlike Heart reveals that it is a turning point on the development of Taoism's Childlike Heart Theory,for the intension of naivety which is the nature of Childlike Heart Theory has been changed.Previous cultural interpretations of Li Zhi's Theory of Childlike Heart generally base on Li Zhi's thoughts not on the development of Taoism's Childlike Heart Theory,which cannot completely unfold the significance of cultural interpretation for the Childlike Heart Theory.
出处
《惠州学院学报》
2015年第5期52-57,共6页
Journal of Huizhou University
关键词
李贽
老子
庄子
童心说
真
文化阐释
Li Zhi
Lao Zi
Zhuang Zi
Theory of Childlike Heart
Naivety
Cultural Interpretation