摘要
无论是在身体经验还是文学艺术表达中,通感一般都被看作是一个非常规的现象。但是现象学研究发现,原初的感知都是通感,因而它也是每个人都具有的体验。更为重要的是,身体在进行感知的时候各个器官并非决然独立,而是协同运作的,身体经验是艺术通感的重要来源和依据。艺术通感展现的是艺术家的一种原初感觉。对艺术通感的现象学阐释有助于揭开它被科学和功利所遮蔽的特性,恢复其完整感知能力的真实面目。
Correspondence is generally considered as something unusual either in both body experience or in art ex-pression.However,it has been found by phenomenological study that every original sensation is a correspondence, which is,therefore,an experience possessed by everybody.What is more important,while sensation is in process, every organ in the body is not completely independent,but cooperates with each other,making the experience of the body the important source and foundation of artistic correspondence.What artistic correspondence demonstrates is an original sensation of an artist.A phenomenological explanation of artistic correspondence is of help to unfold its characteristics covered by science and utility and regain the true features of its complete sensing capability.
出处
《苏州科技学院学报(社会科学版)》
2015年第5期60-66,共7页
Journal of University of Science and Technology of Suzhou:Social Science
基金
江苏省高校哲学社会科学基金项目"语-图关系视域下的文学通感研究"(2015SJB551)
苏州科技学院科研基金青年项目"现代艺术通感的现象学研究"(XKQ201410)
苏州科技学院人才引进科研资助项目"现代小说中通感的现象学研究"
关键词
通感
身体感知
原初感觉
现象学
correspondence
body perception
original sensation
phenomenology