戏剧中“假定”的艺术魅力

The Artistic Charm of "Hypothesis"in Drama

戏剧艺术家为了把生活中的场面提炼到动人心魄和趣意盎然的程度 ,并着力表达他对生活的理解和评价 ,就必须致力于解决生活的无限性和戏剧的有限性的矛盾。“假定”是意外、巧合、偶然、震惊等手段的概括 ,是艺术家们解决这个矛盾并乐意运用的方法。纵观戏剧这一艺术形式的发生发展史 ,不仅是剧情 ,也包括剧场、演员和观众都是一种特殊的“假定”。可认为没有“假定”就没有戏剧 ,一部成功的戏剧 ,就是艺术家对生活的一段巧妙的“假定”。

In order to describe the real life most vividly and present the greatest delight to audience and express their understnnding and of outlook on life, the artists have to work at dealing with the conflict between the limitlessness of life and limitation of drama.'Hypothesis'is the summary of the approach such as accidents, coincidence, chances, astonishment etc. It is a method which artists want to solve the above conflict and like using. Surveying the devlopment of drama history, not only play story, but theater, performers and audience are all hypothesis,therefore it can be concluded that no hypothesis, no drama. A successful drama is just a fascinating hypothesis that an artist makes.