摘要
盛唐书法的繁荣造就了优秀书家灿若星河的现象,以诗著名的李白受之影响却又不为其所束缚,因"无法之法"而亦可称为书家翘楚。据其现存极其有限的留世书迹,无论书帖、碑刻、碣石、匾文,虽真伪待辨,皆彰显其书法用笔跌宕,飞舞自得;结体开张飘逸,意态万千;章法上疏密有致,浑然一体的特点。书风一如他的诗歌风格,不拘法度,飘逸神妙,灵秀之中蕴含着豪壮的气势,为唐代书坛袭来了一股清雄之风。
There were many splendid masters of calligraphy in the Tang Dynasty as a result of the prosperity of calligraphy. Li Bai was affected but not confined, and then became a rare genius mas- ter in the calligraphic history. Existing calligraphic works of his, including rubbings, inscriptions, writings on stones and inscribed board, the authenticity of which to be determined, show his brush- work as myriads of changes like flying and dancing. The calligraphic structure is open, natural and unrestrained, with rhythmical application of composition, which all blend into one harmonious whole. Li Bai' s calligraphic style is similar to his poetic style that were not limited by calligraphic rules of the Tang Dynasty. Being very wonderful and romantic, it brought a clear and grand wind for calligraphy in the Tang Dynasty.
出处
《文化艺术研究》
2015年第3期139-145,共7页
Studies in Culture and Art
基金
四川省哲学社会科学重点研究基地绵阳师范学院李白文化研究中心课题"李白书法艺术中的浪漫主义精神研究"(项目编号:LB 14-13)阶段性成果
关键词
李白
书帖
碑刻
碣石
匾文
考评
Li Bai
rubbings
inscriptions
writings on stones
writings on inscribed boards
evaluation