1Walter Pater, The Renaissance : Studies in Art and Poetry, London : Macmillan and CO. Limited, 1913, p. 204.
2Walter Pater, The Renaissance : Studies in Art and Poetry, p. 204.
3Johann Joachim Winckelmann,Geschichte der Kunst des Altertums, Darmstadt: Wissenschftliche Buchgesellschaft, 1982 p. 272-273.
4Johann Joachim Winckelmann,Kleine Sehriften und Briefe ,Weimar :Hermann BOhlaus Nachfolger, 1960,p. 145.
5Harold Mah, Enlightenment Phantasies : Culture Identity in France and German, 1750- 1914, Ithaca & London: Cot nell University, 2003, p. 92.
6Johann Joachim Winckelmann, Kleine Schri ften und Briefe , p. 14.
7Harold Mah, Enlightenment Phantasies : Culture Identity in France and German, 1750 - 1914, p. 92.
8Friedrich Nietzsche, The Birth of Tragedy and the Case of Wagner, trans. Walter Kaufman, New York, 1967, p. 63.
9Johann Joachim Winckelmann,Geschichte der Kunst des Altertums, p. 365.
10Retrieved from Catriona Macleodn, Embodying Ambiguity :Androgyny and Aesthetics from Winckelmann to Keller, De- troit Wayne State University Press, 1998, p. 40.
