摘要
后现代空间哲学十分重视藉由多元异质性来质疑真理唯一性,女性书写文学在此基础上形成了对父权制逻格斯进行深入批判的学理延伸,英国作家玛格丽特·德拉布尔的《瀑布》即这样一部作品。小说主张回归母亲生理经验、话语及无意识等女性气质,并提出了重构女性空间的政治诉求。本文通过女性书写与空间批评的双重视阈,阐释了女主人公简·格雷如何利用母体表征空间和体现为"间质空间"转换叙述、"平滑空间"矛盾修辞及"原空间"延异结局的记号语言表征空间以实现女性身份认同的空间实践,从而指明其主体建构的僭越路径。
Based on criticism on the Oneness by postmodern spatial philosophy concerning heterogeneity and multiplicity, fem- inine writings constitute the theoretically denunciatory extension to patriarchal Logos, of which Margaret Drabble＇ s The Waterfall is representative. The fiction maintains the regression toward feminine qualities like biological experience of mothers, discourse and unconsciousness to construct feminine spatial politics. In this paper, the protagonist Jane Gray＇ s representational space practice for self-realization through mothers＇ body and semiotic language including ＂liminal space＂ of switching narrafives, ＂smooth space＂ of oxymoron and ＂plateau space＂ of differance ending is elucidated from dual-perspectives of feminine writing and space criticism. The transcendental trajectory of her subjectivity construction is clarified therefore.
出处
《外语教学》
CSSCI
北大核心
2015年第6期84-87,共4页
Foreign Language Education
基金
教育部人文社会科学研究青年基金项目"当代英国小说的空间意识与文化认知研究"(项目编号:13YJC752040)的部分研究成果
关键词
《瀑布》
女性书写
表征空间
主体
The Waterfall
feminine writing
representational space
subjectivity
