从《细雪》看谷崎润一郎创作风格的转变

Changes of Junichiro Tanizaki's Writing Style in SASAME YUKI

谷崎润一郎的创作一直在现代与传统、东西文化的传承之间摇摆。《细雪》是其回归日本古典写作风格的集大成之作,也是其创作风格模式的分水岭。该作品所表现出的故乡情结和民族情结,是谷崎润一郎作为"异端者"最终心性回归、立地成佛意识的体现。《细雪》也是谷崎润一郎对日本民族传统美学理念的研究和继承。该作品实现了作者从倾向对女子肉体进行狂热描述的"恶魔主义"向"上方文化"影响下的日本古典美学的转变,以及其作为文坛异端者向日本传统文化的回归。

Junichiro Tanizaki＇s writing has been swaying between a traditional style to a modern one, or from the eastern culture to the western culture. SASAME YUKI is his masterpiece signifying his return to Japanese clas- sical writing style and also drawing a dividing line in his career. This work manifests the return of his mind by the hometown and nationality complexes reflected in it, while he was once regarded as a heretic. SASAME YUKI is al-so a research and a heritage by Junichiro Tanizaki about traditional Japanese aesthetical ideas. This work transforms the writer＇s inclination from Satanism of frenetic description about women＇s physical body to traditional Japanese aes- thetics influenced by Upper Culture and leads his return to traditional Japanese culture, who once considered as a heretic in the literary world though.