杨玉环文学形象演变研究——以《长恨歌》、《梧桐雨》、《长生殿》为例

Study on YANG Yu-huan's Image Changes-Case Study of Song of Everlasting Sorrow,Rain on the Plane Tree and Palace of Eternal Life

杨玉环很早就进入了文学领域,李杨爱情故事也成为众多文学作品关注的题材,从盛唐开始,无论是诗歌、散文、笔记,还是在野史、小说、戏剧中,历代文人都在不断地丰富发展杨玉环这样一位独特女性的特性。由于各式文学体裁的不同,作者的创作态度不同以及受时代变迁与社会文化思潮的影响等,作者在相关史料的基础上精心裁选材料,从不同的视角来阐释她,解读她。纵观历代文人笔下的杨玉环形象,有着明显突出的演化过程。作为政治形象,她从被动牺牲到咎由自取到无畏奉献;作为爱情形象,她从沉溺享乐到污秽不忠到纯洁忠贞、勇于牺牲,最终成为丰满独立的文学典型。

YANG Yu-huan has appeared in literature for a long time, and the love story between YANG Yu-huan and Emperor Xu-anzong has become the subject of numerous literary works. Starting from the prosperous Tang Dynasty, men of letters have constantly enriched and developed Yang’ s character in poems, prose, historic records, novels and dramas. Authors try to explain Yang from different perspectives due to the variation of literary types, the different writing attitude of authors and influence from the changing society and cultural thoughts. Studying all the literary works about Beauty Yang, it is found that her image has an obvious changing process. As a political image, she changes from passive sacrifice to having only herself to blame to dedication; as a love image, from being indulged in enjoyment to uncleanness to pure loyalty and willing to dedication, YANG Yu-huan ultimately becomes an in-dependent typical figure in Chinese literature.