浅论影片《消失的爱人》中的镜影三重奏

On the Trio of Mirror Image in Gone Girl

每个人都通过他者抵达真实。可怕在于,被"自我"深信不疑的"真实"不过是为"他者"所投射而生的幻象,而幻象终有破灭之时。影片《消失的爱人》正是在艾米和尼克婚姻的暗黑童话之上,以现代社会的婚姻关系为蓝本探讨了"他者"与"自我"、"公众"与"个体"以及"男权"、"生命"与"女性欲望"之间的镜影关系。

Every individual approaches to the reality through the ＂other＂, but it is feared that the reality believed determinedly by ＂self＂ is merely a vision of the ＂other＂, and the vision at last will break. The film Gone Girl, a dark tale about the marriage of Amy and Nick based on the modem marriage relation, tries to find out the relationship between the mirror and image about the ＂other＂ and ＂self＂, ＂public＂ and ＂individual＂, ＂patriarch＂, ＂life＂ and ＂female desire＂.