摘要
现今流传于吐鲁番托克逊地区的代尔达格木卡姆是当地民间艺人吐尔逊·热索力在1982年录制的当地《代尔达格木卡姆》记谱的基础上,依据十二木卡姆的结构板式填入托克逊民歌等编创的木卡姆。本文从该套木卡姆的板式结构、唱词、曲式结构、乐律、乐调、节奏节拍、旋法七个方面对这部木卡姆的音乐形态进行分析。
"Dardag Mukam", currently popular in Turpan Toksun, was recorded and notated by the local folk artist Tursun Resoli in 1982, and on this basis it was filled in Toksun folk song lyrics according to beats and structures of Twelve Muqam, which is deeply loved by the local people. Therefore, the analysis on its music forms contributes to the innovation and development of Xinjiang Muqam. The essay analyzes Daldag Muqam forms in its seven aspects: beats structure, lyrics, musical structure, temperament, melody, rhythm and tempo, melodic rules.
出处
《新疆艺术学院学报》
2015年第3期18-22,共5页
Journal of Xinjiang Arts University