舞蹈创作教学的“陌生化”——兼论新疆舞蹈创作的“瓶颈”突破

Defamiliarization in Dance Creation and the Breakthrough of Xinjiang Dance Creation

本文以诗学"陌生化"为研究视角,以新疆近年来舞台舞蹈创作作品为分析个案,探讨了舞蹈创作创新的理论范式,分析新疆舞蹈创作经验和突破路径。认为新疆舞蹈创作"瓶颈"的突破在于审美范式的"陌生化",而舞蹈审美"陌生化"的本质在于选材突破,核心在于手法"留白",关键在于表演方式灵活,而归结点在于创作情感与理性的"主、动"和谐。

This article discusses the theoretical models of dancing creation, and analyzes the creation experience and breakthrough methods used by Xinjiang dancing based on the case of the stage and dancing creative works appeared recently in Xinjiang, from the perspective of poetic defamiliarization. The article believed the breakthrough of the choke point in Xinjiang dancing creation is the defamiliarization of the aesthetic appreciation, and the essence of defamiliarization is the breakthrough of material selection, its core lies on ＂white space＂ ,the key point is the flexibility of the performance, and the principal point is the harmony of ＂Activeness and Movement＂ in the creation emotions and rafionalities.