论兰州鼓子在现代化语境下的生产与接受

The Study of Production and Acceptance of Lanzhou Guzi under the Context of Modernization

国家"非物质文化遗产"保护政策的出台是为传统文化在当今的生存和发展提供了宏观保障,然而在现代化这一源自西方传统的社会历史进程中,兰州鼓子等中国传统文艺的发展依然堪忧。本文借助美国文化社会学家Wendy Griswold的"文化菱形"模型,考察兰州鼓子在当下社会中的生存样态。通过对模型中社会世界(social world)、创造者(creator)、文化客体(cultural object)、接受者(receiver)这四个单位的分析,来探讨在传统文化的生产与接受过程中,传统文化究竟与现代社会发生着怎样的冲突,这种冲突又在何种程度上有着解决的可能。

Gained more and more attentions in diversified world nowadays, traditional culture is safeguarded by the national policy on protecting intangible cultural heritage. But during the process of modernization, traditional Chinese arts such as Lanzhou Guzi are still in crisis. Based on Wendy Griswold＇s ＂cultural diamond＂mode, this paper focuses on the current state of Lanzhou Guzi and tries to find out how traditional cultures conflict with modern society and the possibility to solve it in the production and acceptance of traditional cultures by analyzing the four units, the social world, creator, cultural object and receiver, in the mode.