陕北秧歌油画创作中“诙谐夸张”的表现意义

On Meanings of“Humorous Exaggeration”in Northern Shaanxi Yangko Dance Painting

陕北秧歌是在陕北群众中广为流传的一种民间舞蹈形式,它至今还保留着风趣幽默、夸张的表演风格和特点,因此深受群众的喜爱。黄土画派画家张立宪以它为题材,运用美术语言,融入"诙谐夸张"的表现手法,将陕北秧歌的表演进行二度创作,瞬间定格在《沸腾的黄土地》油画作品画面中,令观者深受触动。笔者以该幅油画为范画,通过对"诙谐夸张"含义的理解,及其他在该幅画中所显示的艺术表现力的分析,从而得出这一表现手法,在油画创作中对于表现物象内在精神的重要意义。

Shanbei Yangko is a widely popular folk dance with northern Shaanxi people, which still retains humorous, exaggerated style of performance and characteristics, loved by the masses. Loess painters Zhang Lixian has adopted it as a theme together with the art of language, mixed ＂humorous exaggeration＂ for his recreation, and instantly freezes it in his loess painting pictures, so that the audience get deeply touched. With his painting as a model, the meaning of＂humorous exaggeration＂ has been interpreted, and other artistic expressive force has been analyzed, so that it is concluded that the performance of the method in oil painting creation is significant for the inner spirit of the images.