摘要
南朝佛寺题咏诗,即南朝时期兴盛起来的以佛寺为题,将佛寺景观(包括佛寺的人文景观与佛寺的自然景观)作为主要表现对象的诗歌。通过对南朝出现的佛寺题咏诗进行文本分析,提炼出其描述手法上的艺术特色,以及佛教传入对诗歌描写的影响。诗人在景物描写上与物合一,诗歌由空灵转向空寂。
Poetry about the Buddhist temple in Nan dynasty,namely the theme of the Buddhist temple thriving in Nan dynasty,expresses the Buddhist temple landscape( including cultural and natural landscape).Through the analysis of the text about the appearance of the Buddhist temple in Nan dynasty,the way to describe the artistic features,and Buddhist's influence on the poetry were analyzed. Combining with things in scenery description,the features of the empty spirit turn to lonely spirit.
出处
《黑河学院学报》
2015年第5期96-99,共4页
Journal of Heihe University
关键词
佛寺题咏诗
南朝
物我合一
空灵
空寂
Poetry about the Buddhist temple
the South dynasty
Combination of scenery and people
ethereal
loneliness