论陶渊明《饮酒二十首》中的取象思维方式

On the Thinking Mode of Analog in Tao Yuanming's Twenty Poems On Drinking

取象思维方式在古代典籍的不断润色中得以发展,陶渊明的组诗《饮酒诗二十首》也广泛运用了取象比附的手法。诗人通过选取一定的物象表达"真意",或抒愁闷,或言高节,或悟哲理。并且,《饮酒诗二十首》中所选取的典型物象对后世产生了极大影响,具体地讲,在某种程度上已成为唐宋酒诗创作的重要载体。

The thinking mode of analog,which is also adopted in Tao Yuanming＇s group poems Twenty Poems On Drinking,has been polishing from ancient classics. By this kind of thinking mode,the poet selected some certain object to express what he really meant. Some of these poems conveyed his gloom and anxiety,some showed the noble moral integrity and some explained certain philosophy. Meanwhile,typical objects chosen in Twenty Poems On Drinking have had the enormous influence on later generations. More specifically,to some extent,these objects have become an important carrier of poems on drinking creation in Tang and Song dynasty.