《张协状元》编成年代研究的困境与出路——兼论“南北曲先熟”之争

The Difficults and the Way of Research of Zhangxie Zhuangyuan's Generation—— The Miniature of the Discussion of North Opera and South Opera's Mature Time

北杂剧与南戏的先熟之争是中国戏曲史上的一个重要问题。南北曲中谁先产生了较成熟的作品是研究这个问题的关键切入点。两方争论的焦点在于《张协状元》的编成年代。通过分析存在的困难与问题,特别是通过对比《永乐大典》与各个曲谱以及莆仙戏《张协状元》,对《张协状元》的版本和流传问题进行梳理,从曲牌个案研究、南北同名剧目研究等方向探索《张协状元》编成年代研究的出路。

The discussion of north opera and south opera＇s mature time is an important issue in the history of Chinese opera. Zaju and Nanxi,Which first produced and mature is the starting point of the study of this problem. The argument is the research of Zhangxie Zhuangyuan＇s Generation. Through the comparison of the Yongle Canon and music score of Chinese operas and Pu xian drama Zhangxie Zhuangyuan,we study its version and spread,and research the Qupai and the operas with the same names in north and south in order to find out the way to discovery Zhangxie Zhuangyuan＇s Generation.