摘要
文章分别从维吾尔巴旦木纹样的历史渊源、造型特征、表现形式特征以及用色特点等方面来进行探析,并进一步阐述了维吾尔巴旦木纹样在当代服饰方面的应用形式。发现其之所以一直能吸引着维吾尔民间艺人,不仅是由于其丰富而又深刻的寓意内涵在民间艺人心里扎了根,更重要的是其圆滑流畅、富有动感和曲线美的造型特征以及其充满传统色彩文化和宗教文化气息的用色观念。
The paper first analyzes Uygur Badam patterns from the angles of historical origin, graphic features, forms of expression and characteristics of color usage, and .then discusses the applications of these patterns in contemporary costumes. It finds out that Uygur folk artists have always been. attracted by such p'atterns, because Of not :only the rich and profound implications that have rooted in the heart of the folk artists, but also the smooth and round, dynamic and beautiful lines and curves as well as the concept of color usage that is full of traditional color culture and religious cullure.
出处
《纺织导报》
CAS
北大核心
2015年第11期88-90,共3页
China Textile Leader
基金
教育部人文社科基金项目(09YJA760013)
江苏省2014年度普通高校研究生科研创新计划项目(KYZZ-0316)