摘要
一直以来,美学是以人的趣味作为审美尺度,评判各种审美活动和审美现象。从西方启蒙时期开始,一些思想家也开始思考动物的精神性问题及其与人类的联系。随着生态美学的发展,审美主体的概念开始从人类向自然界、向动物推移,出现了动物美学和动物趣味的概念。这些概念在美学的框架内是否有意义,需要结合美学的历史和实践,进行深入的辨析和检验。
For a long time, people's taste was used as aesthetic dimension of aesthetic activities and aesthetic phenomenon. From the beginning of the Western Enlightenment Movement, some thinkers began to think about the spiritual problems of animal, and its connection with humanity. Along with the development of ecological aesthet- ics, the concept of aesthetic subject begins to be extended to nature and to animals. The concepts of animal aesthet- ics and animal taste have emerged. Combined with the history of aesthetics and practice, we should analyze and in- spect the concepts deeply within the framework of aesthetics.
出处
《山西师大学报(社会科学版)》
2015年第6期37-41,共5页
Journal of Shanxi Normal University(Social Science Edition)
基金
国家社科基金青年项目(14CZX062)
北京市社会科学院重点项目(2014A2283)
关键词
生态美学
动物美学
动物趣味
趣味尺度
概念矛盾
ecological aesthetics
animal aesthetics
animal taste
dimension of taste
conceptual contradiction