论苏曼殊、汪曾祺创作的不同审美风格——《断鸿零雁记》、《受戒》中“和尚恋爱”问题的深度探究

The Different Style Created by Su Manshu and Wang Zengqi——The Research on The Lone Swan and Ordination about“the monk's emotion problem”

苏曼殊的《断鸿零雁记》、《降纱记》与汪曾祺的《受戒》三个小说文本均涉及到和尚恋爱的话题。然而前者留下的是情佛两难抉择的困境和主人公孑然一身辗转尘世的悲苦之情,后者呈现的是日常生活的平淡恬静和人性自然舒张的完满和谐。由和尚恋爱的不同处理,我们可以透视苏曼殊、汪曾祺各自对于佛教与世俗关系的认知和理解。这与他们所感受的时代风云、迥异的人生经历以及秉持的文化价值观有密切的联系,同时也促成两位大家的文学创作表现出独特的审美风格。

Su Manshu＇s novel The Lone Swan and Wang Zengqi＇s Ordination are related to the topic of the monk＇s emotion problem. But the former give us the terrible dilemma and one＇s own sorrow. The latter is showing the daily life of plain quiet and the perfect harmony of human natural relaxation. Because of different treatment about the Relationship between Emotion and Buddha,we can perceive that Su Manshu and Wang Zengqi have personal understandings of Buddhist and secular. This is related to their back- stories、the changes of times and cultural values,which also contributed to the unique aesthetic style.