论“好电影”

Study on Good Film

文章从艺术片与类型片等两个角度分别讨论了这两类影片作为"好电影"所必须具备的标准,在此基础上探讨了什么是差电影、坏电影、假电影,并提出三个"吁请":吁请那些思想苍白、艺术素养薄弱的导演,不要再以"艺术片"这一称号作为遮羞布,掩盖自我的艺术无能与作品的低劣平庸;吁请某些艺术智慧欠缺的类型片导演,不要再以"商业性"作为自己的遮羞布,为自己连篇累牍的烂片作辩解;吁请影视理论研究者,不要再将自己的观点建立在对好电影、差电影、假电影甚至坏电影不加甄别的肯定性分析之上。

In this paper, from the perspective of art film and genre film, I discuss what good film is, and based upon which, I further discuss what bad film is, what spoiled film is, and what fake film is, and at last I propose three ap- peals. I appeal that those directors who are pale in thought and faint in art cultivation do not take the so called art film as the fig leaf to conceal their art disability and poverty and mediocrity of the works. I appeal that those genre film di- rectors who lack art wisdom do not take commerciality as the fig leaf to justify the numerous bad film works. I appeal that those film and TV theory researchers do not impress their own overview on a certain analysis indiscriminating good film, bad film, spoiled film and fake film.