摘要
在现代性进程引领下的知识范式转型期,影像传奇叙事不仅与旧文化结合,而且也成为承载"新派"电影人传播"新文化"、感性启蒙的叙事选择与审美选择。作为本土电影主导的叙事模式,影像传奇叙事承袭了中国千百年来积淀的审美趣味。"影像传奇叙事"与好莱坞式的叙事,印证了东西方审美的二重性,中国电影一开篇就在民族性与世界性的两极间保持了必要的张力。
In the period of knowledge paradigm shift guided by modernization course, image legendary narration is not only integrated with old culture but also becomes the narrative choice and aesthetic choice bearing the task of transmit- ting new culture and sensitive enlightenment of new School film producers. As a dominant narrative mode of native film, image legendary narration follows the aesthetic taste accumulated for hundreds and thousands of years in China. Image legendary narration and Hollywood narration prove the dual natures of oriental and western aesthetics. Chinese film maintains the necessary tension of polar nationality and internationality at the very beginning.
出处
《艺术百家》
CSSCI
北大核心
2015年第5期120-124,共5页
Hundred Schools In Arts