万历李评本《破窑记》声腔归属考

Investigation of the Attribution of the Tunes of "Poyao Ji" Commented by Mr. Li in the Period of Wanli

通过对今存大量有关《破窑记》文献的考辨,我们得到几点认识,一是李评本改自弋阳腔传奇《破窑记》,保留了许多原有曲文和宾白,但也增加了不少新的曲白,曲调也有所不同;二是李评本出现大量的滚白,和万历滚调戏曲选本散出一致,而与弋阳腔传奇散出不同;三是整本传奇和青阳腔传奇《彩楼记》在滚白的布局上也大体相仿。因此,李评本《破窑记》为万历时期青阳腔传奇,是迄今为止我们所见到的最早的全本青阳腔传奇。这也证实了学界所言青阳腔是弋阳腔流传到池州之后形成的新腔。由此也可看出明朝内阁首辅李廷机所评注的《破窑记》的戏曲史价值之巨大。

Based upon a great deal of study and comparison upon ＂ Poyao Ji＂ , we know that firstly, the Li - commen- ting -version ＂ Poyao Ji＂ , adapted from Yiyang tune legend ＂ Poyao Ji＂ , preserves many original ballads and spoken parts and adds much more new ballads and spoken parts with new melodies different from the original. Secondly, the Li - commenting - version has a great deal of Gunbai （ half ballad and half speaking） , which is the same as the Gun- diao opera in Wanli period, and this is very different from Yiyang tune legend. Thirdly, the whold legend and Qingy- ang tune legend ＂ Cailou Ji＂ have something in common in the overall arrangement of Gunbai. Therefore, the Li - commenting - version is the Qingyang tune legend in Wanli period, and it is the earliest complete Qingyang tune leg- end upto nowadays. This also proves that Qingyang tune is a new tune derived from Yiyang tune after it spread to Chinezhou. Thus, we could find that ＂ Poyao Ji＂ commented by Li Tingji has a great opera value.