粤北瑶族民歌音调创编合唱作品的探究——无伴奏混声合唱《盘王歌》的音乐分析

Study on Creation of Chorus Works and Adaption of Yao Folk Songs and Tones in the Mountainous Areas of Northern Guangdong:Analysis of a Cappella Mixed Chorus Panwang Song

合唱艺术源自西方,在中国的发展已有一百多年的历史。扎根粤北山区瑶族同胞聚居地的音乐工作者运用四部和声写作的技巧进行改编、创作的混声无伴奏合唱《盘王歌》具有如下艺术特征:(1)具有多调性;(2)大量运用原生态的瑶族民歌音调;(3)多变的节奏节拍;(4)运用的语言元素体现浓郁的民族特性。该作品融合民族性和现代性,分析其艺术特征可为广东瑶族民歌音调创编合唱作品提供了新的启示及思路。

Chorus Art originated from the western countries has more than 100 years of development history in China. The music artists rooted in Yao region in the mountains of northern Guangdong use four acoustic writing skills to compose and adapt the well-known cappella mixed chorus ＂Pan Wang Song＂, which has the following artistic characteristics：（1） polytonality;（2） extensively using original ecological of Yao folk songs tones;（3） varied rhythm and beat;（4） the language elements used reflecting rich national characteristics. This work combines both nationalism and modernity. The analysis of its artistic characteristics can provide new insights and ideas for Yao folk songs and tones in Guangdong.