自省·变异·写作——论昌耀的后期诗歌

Introspection ·Variation ·Writing——On Late Poetry of Chang Yao

男性视角贴近昌耀的生存现实和生存体验,给予他直接书写的便捷,因此在其长达半个世纪的诗歌创作中,都以单数"我"、"他"及复数"我们"等男性视角,作为抒情或叙述的中心展开心灵的记历。昌耀的后期诗歌,在追忆、自省和反讽中,通过自我内部的分裂和挣扎,保留了富于反抗精神的英雄品质。两种相抗衡的力量在诗人心中展开一场永无止境的拉锯战,落到诗稿上,便成了永未完成的变异。主体形象的变异,是诗人进行怀疑、审视和批判的一种艺术表现。

The male visual angle is close to Chang Yao＇s existence and survival experience,which is convenient for him to write directly.Therefore,in his half century poetry creation,the singulars＂I＂and ＂he＂,the plurals＂we＂and＂us＂and other male perspective have become the center of the lyric or the narrative to write down his soul experiences.Chang Yao＇s late poetry retained heroic qualities full of the spirit of resistance through inner self-division and struggle in retrospection,introspection and irony.The two countervailing forces in the soul of the poet is a never-ending tug of war,which has become permanently unfinished variation in his writing.The variation of the main body image is a kind of artistic expression of the poet＇s suspicion,examination and criticism.