摘要
侗台语民族作为语言学研究上的集合体,在歌谣文化中保留了诸多不可忽视的共性。由于语言发音方式、词组表达、文化环境等多方面因素的影响和制约,侗台语民族的歌谣格律依然保持着腰韵的基本特点,同时受到周边汉族等他文化的影响,逐渐出现脚韵,形成使用较广的腰脚韵格律。根据各侗台语民族歌谣的情况,可推测五言腰韵是其先民歌谣中较受欢迎和较为稳定的一种格律形式。
The Kam- Tai languages family, an aggregation of linguistic study, maintains plenty of significant generalities in their ballads culture. Due to the influences and limitations brought by the manner of articulation, phrase expression, cultural circumstances etc., the half rhyme still remains in the metre of the Kam--Tai＇s ballads. In the meanwhile, it gradually engendered the end--rhyme, influenced by the culture of the Han and other ethnic groups, and formed a widely--used metre with half and end rhymes. According to the conditions of the Kam--Tai＇s ballads, it is speculated that the five--word half rhyme is a rather popular and stable metre form in their ballads.
出处
《广西师范大学学报（哲学社会科学版）》
北大核心
2015年第5期9-17,共9页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社会科学基金项目"台语民族跨境族源神话及其信仰体系研究"(14CZW070)
关键词
侗台语民族
歌谣
格律
腰韵
五言
the Kam--Tai family
ballad
metre
half rhyme
five--word
