论梁孝王忘忧馆七赋真伪及其文学史意义

Towards the Authenticity and Literary Significance of SevenFu Works of King Xiao of Liang et al.Created in Wangyou Pavilion

考察梁孝王忘忧馆七赋用韵可发现,枚乘等人赋作用韵,一方面与以《诗经》和《楚辞》为代表的先秦音韵体系大体一致,另一方面又带有西汉音韵体系特征,因此,这些赋作当形成于西汉初期,《西京杂记》所记可信。梁孝王忘忧馆群士七赋很好地展示了西汉前期辞赋发展以及文学活动的原貌,四言体赋创作呈现逐渐散化的发展趋势,臣子赞颂君主亦是辞赋的重要主题之一,文学侍从群体性分题作赋、竞文斗才的风气已早见于诸侯王藩国。

After analyzing the rhymes used in their Fu （a literary form with rhyme）, we can find that rhymes Meicheng et al. utilized were generally consistent with those prevailed in the period of Pre--Qin Dynasty such as The Book of Songs and The Odes of Chu, but also possessed the features of the rhyme system in the Western Han Dynasty. Therefore, these Fu works were probably created in the beginning of the Western Han Dynasty, which can be proved in Western Capital Miscellanea. The seven Fu works that King Xiao of Liang et al. created in Wangyou （forgetting worry） Pavilion showed us the development of the Cifu, and the original features of literary activities in the early stage of the Western Han Dynasty. The creation of four--character Fu indicated a development trend that spread out gradually, and that the courtiers eulogized their monarchs became one of the important topics in Cifu. The literary courtiers created Fu according to different topics in groups, the ethos that literati competed with each other on their literary brilliancy and talent were popular in the feudatory kingdoms.