摘要
微电影从概念的出现到学界的正式认定,经历了一番从短片到微视频再到与电影紧密关联的艺术本体思辨与呈现。微电影与微视频、影视短片等活跃于影视界的几个概念实质上存在着微妙而明显不同的"分野"特征。在分野的基础上探讨微电影的分类和创作创新等问题是当下应该解决的重要学理问题,而不再是一味地强调微电影的传播问题。微电影创作的创新机制则包含了互联网加高校电影联盟、原生态强调、系列跟进等多个方面的内容,是一项有关各方联动的系统工程。
Micro-film from the emergence of the concept of the academic community has been officially recognized,experienced a lot from the video clips to the micro-video and then to the film closely associated with the art ontology and presentation. Micro-film and micro-vedio, video clips,and the active in shadow horizon of several concepts essentially exist subtle but distinct distinction characteristics. In the division based on the investigate micro-film classification and creation of innovation moment should be solved is an important theoretical problem,which is no longer blindly emphasis on the spread of micro-film. Micro-film creation of innovative mechanisms,including the Internet and college film alliance, the original ecological emphasis, a series of follow-up and other aspects of the content, is a relevant parties to the linkage of the system engineering.
出处
《重庆社会科学》
CSSCI
2015年第10期94-99,共6页
Chongqing Social Sciences
关键词
微电影
微视频
新媒体发展
micro-film
micro-video
division
new media development