自我·本我·精神病——昆曲《思凡》中色空的精神分析

Egoo Ido Psychiatry—— Psychoanalysis of Sekong in Kunqu Opera Sifan

清代初年,昆曲吸收了《孽海记》中《思凡》和《下山》两出戏,在保存原有的唱词后,还加入丰富的舞蹈身段和表演技巧,成为著名昆曲折子戏,并且流传至今。《思凡》中只有一位角色进行演出,而就是因为这一位演员的演绎,表现出角色丰富的情感以及心理和精神的变化。笔者将以昆曲《思凡》色空这一角色为例,运用"精神分析"理论对其进行分析与解读。

In the early Qing dynasty, the Kun opera combined with Sifan and Went Down the Mount from Niehaiji. After saving the original libretto and adding rich dance and performance , the famous Kunqu opera zhezi had been formed and spread so far. In Sifan, there is only one character who perform so well and show her rich emotions and psychological and spiritual changes. The author takes the role of Sekong as an example , analyzes and interprets it by using psychoanalytic theory.