摘要
《聊斋志异》对日本作家芥川龙之介有很大影响,后者的多篇小说即从前者取材。本文认为,芥川之《魔术》当受《聊斋志异·崂山道士》的影响,二者间最大的不同是其艺术世界实化与虚化的不同;又由于这一差异而造成各自作品阐释角度"外向"与"内向"的不同;并且,这种不同还有各自个性与经历上的潜在原因。最后,本文分析了这两篇作品因虚实二境的不同在各自创作历程中的地位。
Strange Stories from a Chinese Studio by the Chinese writer Pu Songling exerts much influence on the literary creation of the Japanese writer Ryūnosuke Akutagawa whose several novels have the imprints of Strange Stories from a Chinese Studio. This paper gives a comparison between Taoist in Laoshan and Akutagawa's Magic and concludes that the former has its influence on the latter. The biggest difference between the two is the realistic description or the imaginative description of the world as well as the perspective of the internal or the external interpretation. This difference is also related to their different personalities and experiences. The paper finally discusses the positions of these two works in the history of their literary creation.
出处
《云南大学学报（社会科学版）》
北大核心
2015年第6期74-80,110,共7页
The Journal of Yunnan University:Social Sciences Edition
