摘要
厅堂版《牡丹亭》在北京皇家粮仓进行了数百场的演出,在保留了昆曲程式性的基础上,对舞台美术实行了系列的创新措施,融入了部分现代因素,在灯彩、布景、气氛渲染等方面都做出了较大的尝试性改变,带给观众一种既异于传统戏曲,又与舞台版演出存在差异的新兴演出形式,而这种创新也对戏曲未来的发展提供了借鉴。
Hall edition of 'the Peony Pavilion'in Beijing the Imperial Granary of hundreds of performances,opera forms of this type of innovation has been the modern audience 's praise and support,then,is what kind of change makes the ancient art again by? modern people love,this paper aims to find the innovation through the hall edition of ' the Peony Pavilion' during the show,find the reason why it was now porpular,? and for other opera to shine put forward suggestions for improvement.
出处
《浙江传媒学院学报》
2015年第5期108-111,146,共4页
Journal of Zhejiang University of Media & Communications