伊人独语 眼泪如歌——论电影《红粉》的悲剧意识

Pretty Female Alone, Tears like a Song—— On Tragic Consciousness of Film “Pretty”

作为第五代导演的李少红,经常在她的电影中贯穿着明显的悲剧意识。从电影《红粉》开始,李少红从女性的独特视角开始关注女性的生存状态,女性命运往往是伴随着悲剧结局。电影《红粉》中悲剧意识主要是体现在女性命运的悲剧书写、悲剧意象的营造、戏中戏和话外音对女性命运的哭诉,导演从这三个方面来建构自己的悲剧意识,关注女性生存的困境。

Li Shaohong, as the fifth generation of director often runs through in her film obviously tragic consciousness. Starting from the movie ＂Pretty＂, Li Shaohong began to pay attention to the survival state of the women from a unique perspective of women. Women are often accompanied by destiny tragedy ending. In the film ＂Pretty＂ tragic consciousness is mainly embodied in the female destiny tragedy writing, image build and drama silliness and voice to cry about the fate of women.