摘要
大型实景演出注重自然山水与人文风貌的契合,强调情境架构与历史场景的对接,运用"光影奇观""民俗展示"操作策略,生成消费主义文化逻辑。在实现旅游功利、商业意识形态的支配下,实景演出技术常异化为反艺术力量,值得警醒和深思。
Large- scaled live -action performances pay attention to the conjunction between natural landscape and humanity scene, lay emphasis on the connection between situational architecture and historical scene, via operation strategy of light spectacle and folklore exhibition, forming the cultural logic of consumerism. Under the control of the realization of tourism utilitarian and commercial ideology, technology often alienated, it becomes an anti - art power that is worth pondering on.
出处
《湘潭大学学报(哲学社会科学版)》
CSSCI
北大核心
2015年第6期107-110,共4页
Journal of Xiangtan University:Philosophy And Social Sciences
基金
湖南省社会科学基金项目(项目编号:14JL06)
湖南省教育厅重点项目(项目编号:14A150)
国家广电总局社科项目(2011GD78)的阶段性成果
关键词
大型实景演出
技术
艺术
large - scaled live - action performances
technology
art