融汇·创新·传播——邵江海在中国歌仔戏史上的价值和贡献

Integration, Innovation and Dissemination

邵江海萃取闽、台歌仔营养创造的新型闽南歌仔戏,将"台湾调"变革为"杂碎调",开幕表戏转化为定型剧本之滥觞。在融汇、创新的同时,他关注歌仔戏的传承与播迁,为中国歌仔戏这一地方剧种培养了一批编、导、演人才,扩大了歌仔戏在闽、台及东南亚地区的影响力,改变了中国歌仔戏的历史发展轨迹。在引领闽南地区歌仔戏从荒芜走向丰富、从娱乐走向审美探索的曲折之路上,邵江海起着举足轻重的作用,其在中国歌仔戏史上的意义、价值和贡献理应受到重视。

Drawing on the strengths of the traditional Gezi Opera in Southern Fujian and Taiwan, Shao Jianghai created a new mode of Mingnan C, ezi Opera. He transformed the ＂Taiwan tune＂ into the ＂Zasui tune＂, and initiated the transformation from ＂screen play＂ to ＂setting script＂. He was devoted to the inheritance and dissemination of Gezi Opera, cultivating a large number of playwrights, directors, and actors, promoting the influence of Gezi Opera in Fujian, Taiwan and Southeast Asia, and shifting the course of the historical development of Gezi Opera. In the development of Gezi Opera from plainness to richness, and from being mostly entertaining to abounding in artistic connotations, Shao played a significant role. His role, place and contribution in the development history of Gezi Opera are well worth studying.