《洗心诗轴·尘垢辞虞夏》辨伪

The Discrimination of Xi Xin Shi Zhou & Chen Gou Ci Yu Xia

《洗心诗轴·尘垢辞虞夏》有的字书写既不合草法,也与黄道周的书写习惯相悖。其行款,字距、行距相差无几,显得壅塞紧束,署款与正文也不协调,导致整件作品布白的不和谐。笔画轻浮,笔毫只是在纸面上滑行,尤其是一些长线条,基本上疲软乏力,全无劲健之质,许多方折和圆转的线条书写时,看似熟练流畅,实则生硬而拖沓,习气严重,笔法单一,每个字的向右上取势也少变化,且字与字间缺乏自然的过渡连贯。行气和线条的审美表现水准,与黄道周的作品相去甚远,整件作品似集字堆砌而成。王懿荣藏印十分模糊,不足为据;对章也是仿刻的。

The handwriting of Xi Xin Shi Zhou ＆Chen Gou Ci Yu Xia does not conform to cursive script and goes against Huang Daozhou＇ s writing habit. There are few differences in terms of its writing pattern, character spacing and line spacing. The words seem to be tightly pressed. Incongruity between its signature and body makes the pattern of the work inharmonious. The strokes appears to be light, especially the long lines wweak, as if the tips of writing brush just slid on the pape. Some turned Strokes and round strokes seem to go fluent, but actuallly too stiff. The words lack natural transitional coherence. Aesthetically, the work differs greatly from Huang Daozhou＇s works. Wang Yirong＇s seal is no longer legible and, besides, it is imitative.