摘要
本文从舞蹈语言的艺术表现特点入手,将这一语言特质放置在"舞剧"这一特殊的舞蹈艺术表现形态中,结合舞剧艺术自身的特点和表现需求,对舞剧中的舞蹈语言特点进行初步的分析和归纳。在舞剧中,"戏剧性"的意象性转化和表达即为舞剧中舞蹈语言的存在形态。这些语言首先不是生活的忠实模拟,而是戏剧性情感冲突经过编导提炼创造出来的意象性表达,即使是在情节性叙事性很鲜明的舞剧中也同样如此。文中将舞剧中的舞蹈语言分为情节性语言、抒情性语言、形式语言三大类,在每一类别种又根据语言所要承担和完成的舞剧中限定的任务进行逐一分类。
This paper mainly discusses the representation and the characteristics of dance drama language system. The paper argues that the imagery transformation and the dramatic expression in dance drama is the existing form of dance language. The language is not the imitation of real life, but an imagery expression of dramatically emotional conflicts created by choreographer. Even in distinctly narrative plot of dance drama the language is also an imagery expression. The paper analyses dance language in dance drama from the three aspects of the plot language, lyrical language and formal language.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2015年第5期56-61,共6页
Journal of Beijing Dance Academy
基金
上海市教委高原学科(上海戏剧学院艺术学理论)项目资助
