汉代舞蹈意象“丽美”特征的本体阐释

Ontological Interpretation about Features( Li) of Han Dynasty Dance Image

汉代舞蹈以创造五彩缤纷、多样复杂且相互转化的形象世界为根本,形成了独特的舞蹈意象创构理念和实践方法,并将其上升到"大象无形"的本体论高度,在形象呈现方面表现出独特的审美特点:以长袖折腰之舞为代表的宴会乐舞注重舞者的容颜雕饰、衣饰的华美艳丽、舞姿的流动多变,由此所形成靡丽绚烂的形象世界,反映出汉代人追求极致视觉享受的审美趣味;以鱼龙曼衍为代表的公众乐舞具有较为典型的包容性和多样性,它将当时盛行的杂耍、幻术、舞蹈、音乐等娱乐形式同时演出,追求眩目惊心的审美体验,反映出汉代人趋丽尚奇的审美趣味。

The purpose of Han Dance is to create a colorful various and mutual converting image world, forming unique dance imagery conception ideas and practical methods. And Han Dance presents unique aesthetic characteristics： one is the long-sleeved-and- bending dance on behalf of Feast Dance, which focuses on the dancer＇ s make-up,gorgeous costume and fluent changeful posture, forming a splendid image world that reflects Han Dynasty people＇s aesthetic taste for perfect visual enjoyment; the other is the dance named yulongmanyan on behalf of public dance, which has rather typical inclusiveness and diversity. Prevailing various musical dances are fused into this kind of public dance, meanwhile some entertainment forms are performed with it, such as vaudeville, magic, dance and music. pursuing glaring startling aesthetic experiences and reflecting Han Dynasty people＇ s aesthetic taste for gorgeousness and fancy.