影片《归来》中身份危机的后精神分析学解读

A Post-Psychoanalytic Interpretation of Identity Crisis in the Film Coming Home

影片《归来》中陆焉识"归来"的失败是其身份危机的表征,从后精神分析学来看,这种身份危机的症结在于冯婉瑜经受实在界创伤后幻象空间的营构,而幻象空间中欲望主体和小客体之间的悖谬关系也导致了陆焉识身份危机的解决困境。影片那个意味深长的结尾除了体现一种悲情色彩之外,还涉及到一种幻象伦理。

In the film Coming Home,Lu Yanshi's return failure is a token of his identity crisis. From the post-psycho-analytic view, the crux of this identity crisis lies in the fact that Feng Wanyu constructs fantasy space for real trauma, and the perverse relationship between the desire subject and a small object in the fantasy space leads to difficulties in solving Lu Yanshi's identity crisis. The meaningful end of the film not only reflects a color of sadness, but also relates to a kind of fantasy ethics.