摘要
武田泰淳既是热衷于中国文学、文化研究的日本知识分子,也是战后日本文坛最大文学流派的代表作家之一,史称"第一战后派"。本文旨在通过武田文学的发展轨迹及其战争反思的分析,客观审视其战争题材小说《审判》的创作要旨,解释武田的战争观及其反战小说的现实意义。
Takeda Taijun is not only the intellectual who is keen on Chinese literature and culture,but also one of representative writers in Japanese literary world "first post-war school".This article aims to analyze the trajectory of literary development by Takeda and its field of reflection,and objectively look at their war novels The Trial and the creation of clues to justice in order to more clearly explain the Takeda war view and its practical significance.
出处
《东北师大学报(哲学社会科学版)》
CSSCI
北大核心
2015年第6期158-162,共5页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
基金
黑龙江省教育厅人文社会科学项目(12522160)
关键词
武田泰淳
“战后派”文学
《审判》
反战小说
Takeda Taijun
Literature of Post-war School
The Trial
Anti-war Novels