明末清初写意花鸟画与民窑青花的比较性分析

A Comparative Analysis in the Late Ming and Early Qing Freehand Brushwork of Object Paintings and Blue and White Burnt in the Folk Kiln

对于绘画艺术及工艺美术的发展形态而言,明末清初是一个特殊时期,政治背景、文化环境、观念形态都对相应的表现形式产生了影响和制衡。而不同的艺术表现形式之间彼此又发生着冲突、融合与借鉴,在这一时期的写意花鸟画与民窑青花之间便有着典型的表现。论文通过对二者之间的形式法则及艺术风格的具体表现作比较性分析,通过图式的探究方法,来对其关联性展开对比研究。

For the development of patterns of painting art and arts and crafts, the late Ming and early Qing Dynasty is a special period, political background, cultural environment, ideology of corresponding form influences and checks and balances. And between different art forms each other conflict, fusion and reference, which on this period of enjoyable flowers and birds painting of flowers and birds and folk kiln blue and white had typical performance. The paper through a concrete manifestation of the law of form and artistic style between the two for comparative analysis, through the method of inquiry schema, to launch the comparative study of the relevance.