明式家具的意识与形态结构关系之美学研究

Study on the Relationship between Aesthetic Consciousness and Morphological Structure of Ming Style Furniture

前人的明式家具研究成果主要集中在线性形态与传统人文精神相契合的审美研究思路上。笔者在研究前人研究成果的基础上,运用"结构"的视角和方法,主要探讨明式家具外在形态与结构背后家具匠人们创作过程中所蕴含的结构意识、结构形态及审美特征。本文以王世襄先生的"明式家具十六品"为切入点,在明式家具的设计及美学主要研究思路上,再结合认知心理学、行为结构学以及现象学的交叉学科研究,通过由外在形态结构向内在意识结构逐步深入探究的方法,归纳出了"明式家具的审美核心是以简化、反向为核心要素组织出的灵动、有序且平衡的结构关系"的理论,并最终抵达审美层面。

Results of Ming style furniture previous studies focused on linear shape and fit on the aesthetic ideas of traditional humanistic spirit. I inherited on the basis of previous research, the use of ＂structure＂ of the perspectives and approaches, focuses on Ming furniture patterns and cabinetmaker who the creative process behind the structure contained in the structure, morphology and aesthetic characteristics. Paper to Wang Shi-xiang of ＂Ming type furniture 16 products＂ for point, in Ming type furniture of design and the aesthetics main research thought Shang, again combined cognitive psychology, and behavior structure learn and phenomenology of cross subject research, through by external form structure to within in consciousness structure gradually in-depth inquiry of method, summary out has ＂Ming type furniture of aesthetic core is to simplified, and reverse for core elements organization out of smart, and ordered and balance of structure relationship＂ of theory, and eventually arrived in aesthetic level.