随身的乐园:晚明文人冯梦祯的园林世界

Paradise Taken along: Gardens of the Late Ming Dynasty Scholar Feng Mengzhen

以晚明文人冯梦祯为个案,根据冯氏文集、日记及地方史志记载,考据梳理冯梦祯于嘉兴拙园、南京大司成公署、杭州孤山草堂的园林营造与栖居,绘制杭州孤山草堂平面布局想象图,深入分析孤山草堂园林空间与风水文化的关系,并阐述冯氏注重天趣与借景的园林营构观念,赏石、探梅的意旨趣味及其在丰富多样的园居生活中所体现的雅致追求。旨在从冯梦祯的个人视角揭示园林在晚明文人生活中的重要地位,探索晚明文人园林审美趣味的冲突和变化。

This paper is a case study of Feng Mengzhen's garden design and appreciation. Based on his diaries, garden records and other historical resources, it sorts out the design, use and cultural symbolism of Feng Mengzhen's three gardens, respectively in Jiaxing, Nanjing and Hangzhou and provides an imagined master plan of the Gu Mountain Cottage Garden in Hangzhou. Furthermore, it gives an in-depth analysis of Feng's views on nature and scenery borrowing, aesthetics of stones and plants during garden design as well as his pursuits of elegance through various cultural activities in his gardens. It aims to reveal the significance of gardens in late Ming Dynasty scholars' daily life and explore the conflicts and changes of late Ming Dynasty scholars' tastes of garden design from the perspective of Feng Mengzhen.