新时期国家族群认同与边疆少数民族影像传播研究导论

An Introductory Theory on the Frontier National Minorities' Image Transmission and National Identity in the New Era

新时期中国的"族群边界"呈现过渡性、连续性变化的文化特征,中华民族多元一体化的格局也更为复杂多义。以是观之,边疆少数民族影像的生产也必然纠葛在"美学文化诉求"、"经济功能诉求"与"政治共同体寻求"之间的矛盾当中。如何显示或掩饰特定的族群文化特征,消弭民族(国族)认同危机,对于边疆少数民族影像传播的研究者来说,前途是任重而道远。

In the new era, Chinese ethnic boundary presents as the specific cultural characteristic of transitivity and continual variation. The Chinese unity in diversity has become more complicated. As a result, the production of the frontier national minorities＇ image is entangled in inevitable contradiction of aesthetic appeal, economic appeal, and political community. The programme focuses on the effictive way of preventing the crisis of national identity and sufficiently showing the ethnic culture.