期刊文献+

芍药花文化在中国诗词、绘画中的精神内涵 被引量:2

Peony Flower Culture Spirit Connotation in Chinese Poetry and Paintings
下载PDF
导出
摘要 芍药花以其轻柔娇妍,嫣然动人之态,作为一种"意象"符号,应用于诗词、绘画中。其被赋予"娇客"、"余客"的意象,承载着多重文化意蕴。早在先秦的《诗经》中,芍药花已作为典型文学意象始现,并在以后各朝代都有作者对其歌颂。芍药花意蕴、意象符号异常丰富,大体来说,芍药花有"绰约"、"伤春"、"离别"、"富贵"等典型意象,这一象征符号被诗人、画者在诗词、画作中巧妙的加以利用,成为作者感物喻志的象征符号,是作者智慧与情感的结晶。 Peony flower with its gentle charming, beautiful and moving state, as a kind of "image" symbol, used in poetry, painting. It is given the "rich", "Yu Ke" image, carrying multiple cultural implication. As early as the pre Qin's "book of songs", peony flower has been used as a typical literary image is beginning, and in later dynasties have the praise. Peony flower meaning, symbol is unusually rich, generally speaking, peony flower "and", "spring", "farewell", "rich" and other typical image, the symbol was the poet, painting in poetry, painting the ingenious use, become the sense of Yu Chi Symbol, the author is the crystallization of wisdom and emotion.
作者 王玉玲
出处 《红河学院学报》 2015年第6期70-72,共3页 Journal of Honghe University
关键词 芍药 花文化 诗词 绘画 精神内涵 peony flower culture poetry painting spiritual connotation
  • 相关文献

参考文献5

  • 1朱东润.中国历代文学作品选[M].上海:上海古籍出版社,1979..
  • 2郭若虚.图画见闻志[M].南京:江苏美术出版社,2007:36.
  • 3陶毂.清异录·花[J]//邓瑞权,李开升.《清异录》版本源流考.长春:古籍整理研究学刊,2008(4).
  • 4张彦远.历代名画记--叙画之源流[M].北京:人民美术出版社,2005.
  • 5韩婴.韩诗外传[M].赖炎元,译台北:商务印书馆,1972.

共引文献46

同被引文献5

引证文献2

二级引证文献2

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部