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规律性 客观性 方向性:音乐人类学发展三题研究 被引量:2

Regularity,Objectivity,Directivity:Three Research Topics for the Development of Anthropology of Music
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摘要 俯瞰音乐人类学学科在20世纪以来的发展即可发现,其中有几个贯穿始终的重要问题:音乐人类学是否存在普遍规律或法则、音乐人类学及其研究者身份是否可以保持客观性,以及音乐人类学学科发展方向等问题。本文则以这三个问题为线索,通过梳理20世纪及当下,国外不同时期研究者的思想及其碰撞,阐释音乐人类学在当下的定位及前景。 It is easy to find that there are several important issues when reviewing the development of anthropology of music during the 20th century: whether anthropology of music common regularity or rules, whether researchers on anthropology of music maintain objectivity and the directivity for anthropology of music. This paper will follow the clue of these three questions to explain the orientation and prospect of anthropology of music today through examining the thoughts and discussions of researchers all over the world today and during the 20th century.
作者 金楠
机构地区 西安音乐学院
出处 《青海民族研究》 CSSCI 北大核心 2015年第4期65-67,共3页 Qinghai Journal of Ethnology
关键词 音乐人类学 规律性 客观性 方向性 Anthropology of Music Regularity Objectivity and Directivity
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参考文献12

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  • 2Rice Timothy,"Toward the Remodeling of Ethnomusicology". Ethnomusicology 31:469-490.
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