摘要
上饶号子的演唱形式以"一领众和"为基本形式,其领与和的关系主要有四种结合方式。调式调性特征以徵调式为主,宫调式和羽调式次之,各调式以五声音阶为主,有少数五声性的六声音阶和四声音阶。节奏律动以长律型和平律型为主。歌词可分为四种类型,有的歌词具有较高的艺术价值,有的歌词由数字和衬词结合,具有特殊的审美价值。
The basic singing form of Shangrao work songs is"one leads singing and others join in",and there are four combining methods in the relation between leading and joining.The tonal mode and the tonal quality are characterized firstly by Hui tone,and then by Gongdiao tone and Yudiao tone,each of which gives priority to five-tone scale,a minority of which give priority to six-tone scale and four-tone scale but with a flavor of five-tone.The rhythm is mainly long rhythm and stable rhythm.The lyrics include four types,some of which have a high artistic value,some of which are the combination of figures and padding syllables and have a special aesthetic value.
出处
《上饶师范学院学报》
2015年第5期75-82,共8页
Journal of Shangrao Normal University
基金
江西省社会科学规划项目(11YS22)
关键词
上饶民歌
号子
“一领众和”
律动性
Shangrao folk songs
work songs
"one leads singing and others join in"
rhythm