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油画风景写生的“似与不似之间”辨析 被引量:1

An Analysis of the“Resemblance or Non-resemblance”of Oil Scenery Painting
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摘要 油画风景写生的"似与不似之间"是具象与抽象、写实与写意、有形与无形的对立统一。辨析"似与不似"的艺术内涵,合理把握二者之间的关系,从而寻求写生语言的审美境界,提升写生的艺术品质,可以避免写生步入公式化、照片化、趋同化的误区,使写生生发出创造活力与生机。实现这一目标,离不开艺术家借古开今的学养、外师造化的实践、澄怀观道的胸襟。 The"resemble or not"of oil scenery painting is the unity of opposites between concreteness and abstractness,reality and imagination,tangibleness and in-tangibleness.Thus it is to analyze the artistic connotation of"resemble or not"and reasonably balance the relation between them,so as to explore the aesthetic realm of the language of painting from life,improve the artistic quality of painting from life,avoid the mistakes,such as formulation,photoing and assimilation,and bring creativity and vigor to the painting from life.The artists' accomplishments in learning and inheriting the past for the present new creation,the practice of respecting nature and the thinking of viewing the world with a clean heart can really guarantee the realization of the above goals.
作者 何丰妍
出处 《上饶师范学院学报》 2015年第5期83-86,共4页 Journal of Shangrao Normal University
关键词 油画风景写生 “似与不似之间” 辨析 oil scenery painting "resemblance or non-resemblance" analysis
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参考文献2

  • 1贡布里希.艺术发展史——“艺术的故事”[M].天津:天津人民出版社,1991.
  • 2杨身源.西方画论辑要[M].南京:江苏美术出版社,2010:22.

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