摘要
在新世纪文学发展的十余年时间里,东北女性写作以对世俗生活的耐心而深切的讲述呈现出平和而不焦虑,坦荡而不粘稠的写作风格。作家们以深挚的目光关注着白山黑水间芸芸众生的喜怒哀乐,以绵密的笔触描写他们的庸常人生,为读者打开了一个充满生活质感的日常生活世界;她们以低于大地的姿态彰显了世俗生活的质感,重建了世俗生活的审美维度。这种彰显与重建一方面裂解了宏大叙事对世俗生活的遮蔽,另一方面也昭告了人性尊严的回归。
In more than ten years of the development of the new century literature, female writing in the Northeast of China showed flat and magnanimous writing style by the patient and profound description of the or?dinary life. The writers paid affectionate attention to the lives in the Northeast of China, and opened up the daily life to the readers through the meticulous description. They revealed the texture of ordinary life and reconstruct?ed the aesthetic dimension on daily life. The revelation and reconstruction broke the grandiose narration’cover?ing on ordinary life on the one hand, and showed the return of human dignity on the other.
出处
《吉林师范大学学报(人文社会科学版)》
2015年第6期15-19,共5页
Journal Of Jilin Normal University:Humanities & Social Science Edition
基金
吉林省教育厅"十二五"社会科学研究项目(编号:[2014]第120号)
吉林省哲学社会科学规划基金项目"东北现代文学转型研究"(编号:2014B142)
关键词
新世纪
东北女性写作
日常生活
宏大叙事
审美维度
the new century
female writing in the Northeast of China
daily life
grandiose narration
aesthetic dimension