从《傲慢与偏见》看影视改编中女性主义的觉醒

Feminist Awareness in Films and TV Series Revision Taking Pride and Prejudice as An Example

20世纪70年代,女性主义理论在电影分析中得以应用,学者开始从女性主义角度出发对电影进行重新审视。但是,19世纪小说的改编虽有丰富的女性主义素材却没有得到应有关注。基于时代背景,从女性主义视角出发,以19世纪简·奥斯汀小说《傲慢与偏见》不同年代的影视改编版本为题材,结合角色、拍摄场地以及机位等元素,通过分析人物形象的重塑以及女性电影受众地位的变化对日益觉醒的女性主义进行时代解读。

The emergence of feminist theories in film criticism in 1970 s leads to scholars＇ re-examination of films from the perspective of feminism. Taking different revision editions of Pride and Prejudice in different ages as an example,this essay analyzes the increasing feminist awareness in films and TV series revision on respects of characters,scenes,characterization,and changes of position of film audiences.